Painting a horse portrait with lost and found edges.

This painting that I am currently working on is from two pretty good photographs, but I wanted to create a lot more atmosphere and romance in the oil painting than exists in the photos. The horse is a gorgeous aged gentleman, at 36 years still going strong and I want the piece to have a timeless quality.

To this end, I have replaced the stable walls and door and rug in the photo with a background half in deep shadow and half in light. He emerges from the shadows with the light accentuating his profile. (He has such a beautiful facial bone structure that I had to show it to the best advantage in his portrait).

The edges take on new importance in this portrait, meaning that I am trying to create contrast in some important focal areas ( the nasal peak, and the eyes)  while playing down contrast in other areas so that they lose themselves in the background. 

*Update -here are a couple of photos of the finished portrait.

Anglo Arab horse portrait sue gardner studio.jpg
Equine oil painting sue gardner.png

You can see that I managed to refine the bone structure a great deal. I constantly check and measure proportions throughout the layers of a painting, making adjustments as I go along.

Portrait of a Cavalier

Portrait of a Cavalier
November 24, 2017
This portrait is one that I painted with an exhibition in mind a couple of years ago, and she now hangs on the wall of the reception in Mutley's of Ashby boutique. I used loads of 'creative license' during the painting of this piece. I referred to the photograph  (below, kind permission of photographer Kerli Toode) for the main concept and some of the details , and then added my own ideas to create a piece with individuality.

cav to paint.jpg

Here is the reference picture that I used for the Cavalier Spaniel painting, by kind permission of photographer Kerli Toode

The finished oil painting is 60 x 80cm in oils on stretched canvas