News and snaps from my studio. Sometimes I write about new pieces that I’m working on that are not released yet. If I think of a tip or piece of advice that will help you look after your painting I’ll often share it here. If there’s something specific you want to find, there is a search box down below.
I’m delighted that Artist and Illustrators Magazine has chosen one of my Highland Cows to star on the cover of their March edition! And there is a double page spread inside too.
I’m looking for little shafts of sunlight at this time of year, just like we all are, and for me this does the trick!
The proud ‘Cover Girl Cow’ is Loch Venachar, a painting that I donated to a fundraising auction for the Ripple Retreat last year and which raised £1100 to help such a worthy cause/
This big lady gave my arms a really good workout yesterday, needless to say I used a big brush. I have to use an easel with ratchets to help me lift these heavy canvases high enough to work on. There is nothing as thrilling as painting this size, with the added advantage that you get your steps in. She is 120 x 150 cm
My family members delivering Loch Venachar to the retreat manager
Bill, at Ripple Retreat
After a long wait, my Ripple Retreat Donation, (a painting) arrived at the Ripple Retreat in Callander, Scotland. Mum and Mike, Auntie Barbara and Uncle Alan very kindly delivered my painting to Lynn at the Ripple Retreat. Later in the year, the piece will be auctioned at their Autumn Ball to raise funds for the retreat. The centre offers respite stays for children who are cancer patients and their families, on the banks of Loch Venacher. The Retreat is managed and funded by the Scottish charity ItsGoodtoGive. My family were given a guided tour of the beautiful building and grounds and were very impressed with everything they saw. Alan and Barbara live in Callander, so the painting was a welcome addition to a family road trip.
There is another rainbow Highland Cow at the Ripple Retreat - a permanent resident named Bill the Bull, created by Artfe Sculpture
Varnishing the Ripple Cow, prior to her journey, I love the way varnishing seems to enhance the colours.
When I began the painting, I decided to keep a record as I went along, so I took photos and an ill-fated attempt at video. I am a bit more composed on video these days but here are some of the out-takes from a year ago. You can see why, in the end, I just took photos!
