Today at the studio I hope to finish this colourful guy. One of the things that I do as part of my process, as well as creating the big shapes first, is that I work intuitively on the first layers. I don’t try and worry too much about the final result. This then gives me something to respond to in the following sessions. So I have added all the colours that I wanted to add and the wild and woolly hair. Today I will work back into the paintings and edit, tidying up some of the edges and leaving others, hopefully ending up with the final cow that I envision. Watch this space, I’ll post another photo of the final piece.

I enjoy painting on three panels, the finished effect is cool and contemporary and you get different looks depending on whether you leave a gap when you hang the paintings. I’m currently feeling very glad that I have rented this size of a studio, I remember during the pandemic, when I was painting at home and trying to create a big piece like this in the spare room - not easy!

This is the story of how I came to paint such big pictures.

I came back to art later in life and I soon found that I was so excited about painting that I used to begin at 5 am, and paint for an hour or two before heading to work with my dogs.

About that same time I also began to have blurry vision, the first sign of the disorder that I live with now, although I didnt know it at the time. To cut a very long story short, I was referred to the eye hospital who quickly decided that I may have Sarcoidosis , a rare auto -immune condition, hard to diagnose. I have been having specialist treatment ever since.

As my eye symptoms became worse at work, I was forced to give up my role as a dog groomer. One good thing was that I had time to do more painting. I began to hope that one day I would become a professional artist.

One of my earlier paintings, a pet commission from a couple of years ago

As my skills improved I offered dog, cat and horse portraits . But there were set backs with my health andI remember that I would lie in bed with a pad of paper and pastels and just try to carry on painting. Art was something to dream about during these rather unhappy days.

As my condition began to stabilise I began to create larger pieces, less detailed , featuring wildlife alongside the pets. Small details might evade me but I found that I could learn to paint in an impressionist style, using elements from my imagination, instead of following photographic references closely.

During the first big lockdown of the pandemic, lots of things happened that enabled me to make the decision to became a full time professional artist. At the same time I lost central vision in my left eye, and as a result I made the decision to create large scale canvases exclusively! I got the opportunity to move to a big studio with plenty of room and light. I found a great art courier and packaging company to assist me in the logistics side of transporting big pieces.

The thought that I might have limited time, with useful sight drives me on to make the most of the time that I have. I dont want to leave any painting left unfinished! To misquote one of my heroes, Robert Plant ‘Just give me bigger canvases!’